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The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The RawDigger e-Guide and Video is almost finished. RawDigger e-Guide and Video Advance Copy Still Available - but not for long … Save $10 Now RawDigger e-Guide pre-publication version Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit. In these crazy times - I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) - remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated.
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And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. And it’s all on the level too! Please Remember The ballhead that acts like a gimbal and serves all purposes, is indeed taking the world of nature photography over by storm. Two dozen are being shipped from Hungary on Tuesday.
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We have just one Induro GIT 404L/ Levered-Clamp FlexShooter Pro in stock. Please remember … Levered-Clamp FlexShooter Pro This blog past makes thirty-three days in a row with a new blog post.
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In yesterday’s blog post here, I was surprised that nobody took a crack at a better way to work exposure-wise when dealing with richly-colored skies at sunrise or sunset. What exposure mode? What Exposure Compensation?
If you can think of a solution to this problem, please, please pretty please leave a comment. But as the birds get away from those brightly colored skies, away from the sun or the spot where it just set, you will wind up with too-dark raw files.
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The exposures are very tough when you work in manual mode as you need to avoid over-exposure when the bird or birds are set against the brightest areas of the sky, those right next to the setting sun. I did get some great sunset stuff on Wednesday evening and will share two of those along with my new sunrise/sunset exposure methodology with you there. There was some nice sunset color on Thursday evening but with the wind from the west the birds coming to roost were landing away from me so I never even set up my lens. It has a rather pointed top and I am wondering if the birds will take to it … Jim and I headed down to the lake at about 1pm and we erected the largest, tallest-ever perch. My appointment was for the next day, Friday 🙁 I arrived about 15 minutes early only to learn that I was 24 hours and 15 minutes early.
We stopped at Mickey D’s for breakfast and headed back to Lake Wales for my appointment with TJ. I used my SONY 200-600 with the a9 ii while my brand new Canon rig remains in the product boxes on the dining room table … In previous years there had always been dozens of the huge, beautiful, easy-to-approach pelicans resting on the bulkheads around the lake … Things were better at my back-up morning lake with lots of Lesser Scaup and a few Ring-necked drakes as well. Jim drove me to Lakeland where my first morning stop had zero American White Pelicans. I had my teeth cleaned at 7am yesterday and was done by 7:22am.
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